| The rocky mountain as the background and the stone temple as the central point in this painting symbolize the "axis mundi", the anchoring axis that keeps the place where we stand steady and balanced. In ancient traditions, particularly in Indonesia, houses were built with low doorways and thresholds, whether made of stone or wood, indicating that anyone entering or leaving the house should bow, reflecting the expectation for mutual respect among people. Meanwhile, the "kala" motif commonly found at the entrance of temples is believed to ward off evil. The figure of a woman sitting in meditation at the centre of the temple, with her left hand holding a globe and her right hand pointing upwards, is a gesture of surrender to the Almighty God. The composition of the figure with foliage represents the concept of life and growth, signifying that in this world, we are expected not only to live but also to grow and develop both mentally and spiritually.
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