Acrylic

Canvas

Contemporary

Landscapes and Waterscapes

Trinetra VIII in her fluid blood-coral hybrid form embodies the first-born creature who “was of the same size and kind as a man and woman closely embracing. He caused himself to fall into two pieces, and from him a husband and wife were born” (Brihadaranyaka Upanishad, 2020). With a third universal eye she argues for an interdependent self-identity that makes connections across gender, nationality, colour, class, and race and multispecies cohabitation.

Trinetra VIII

Human Figure

Study on women’s backs. This is about the juxtaposition of two women's bodies. It's about celebrating womanhood, being connected through the commonality of gender. It's about feminism and acknowledging the unbreakable bond that exists between women.

The Portrait Pink 1

Impressionism

The Body

Camouflage III veiled in a masculine keffiyeh embodies empowerment, strength and confidence, and gazes directly at her gazer, disrupting the masculine gaze that is based on dualities.

Camouflage II

Portrait

An illustration of burqa clad Muslim women in a crowd.

Ambiguity

Mythology and Religion

Deep impressions of the folk culture of coastal Karnataka during Praksh’s growing up years, is reflected in this series of paintings entitled "Goddess".
The Goddess series stands out for its philosophical reflection and lyrical mood that is matched by the compact brush strokes, imbued traditional elements and earthy colours. It stands to depict the strong ties that tether humans to our native land and culture. Deep shades of blue and ochre often highlighted by earthy browns and presence of nature elements like leaves, fishes and birds interspersed with human figures – all suggest the abundance of life, its beauty and bounty.

Mask of Goddess 25

"Women reach love through friendship" – Friendship that works, between females, are the relationships in which women help each other. The portrait of these two females depict sisterhood in the backdrop of nature embracing each other without prejudice.

Sahelis

"Contemporary female bust with butterflies. Trilokini reminds us that we are one with our environment, inseparable from it. When we take time apart to connect with nature it helps us get in touch
with our higher selves.  The butterfly’s metamorphosis is a timeless analogy for personal transformation which is often filled with
painful phases. Change is inevitable and often unwelcome but ultimately, it is a worthwhile journey that makes us grow and this kind of growth usually
tends to elevate us to a higher realm of consciousness. "

Trilokini 9

Watercolour

Paper

Figurative

This Indian spiritual work depicts the softness of a female and the strength of a male merged together.

Shiva Shakti

Camouflage VI has been inspired by Klimt's living, breathing woman with a brooding air—rather than a serene, mythical being. As a female subject, she is a strong, expressive woman capable of both seduction and creation. This approach rejects the traditional approaches to painting that embrace classicism  and naturalism. The shimmering gold and patterns reference both allure, charm and strength.

Camouflage VI

Surrealism

Indonesia is very rich in culture and historical heritage, all of which have philosophical meanings related to the local areas. Preserving this historical heritage is an obligation of Indonesian society.

The Gift

Just like a bird gets its feathers as it matures, we also grow mentally and physically every day. We have to leave our comfortable past and embrace the future with a positive outlook.

The Fallen Feather

Realism

Inspired by the artist's wife who likes gardening. During the Covid-19 pandemic, she is unable to leave the house, so she often buys plants. In addition, the phenomenon of nurturing plants is currently on the rise. During this pandemic, many fans of ornamental plants, both old and new, are competing to collect various types of shrubs and herbs.

My Wife

Vibrant hues combined with muted tones and the bright, creative patterns make up "Under". This paining is a visual rollercoaster with great details and subtleties.

Under

In ‘The Girl in red’, colour radiates the confidence of a girl, the infinite woman.

Girl in Red

Inspired by a 11th century Chola Bronze currently in Museum of fine Arts, Boston, Sathya tries to bring awarenss to the cause of preserving country's  culture and heritage through her artwrks as many of the treasured artifacts from India have been smuggled out and now lie in many museums across the world. This painting also exemplifies the universal motherhood of earth depicted in the form of Bhudevi, Hindu Goddess of Earth superimposing the Greek Goddess of Earth, Gaia.